Abstract yet photographic album-cover concept for a jazz bassist-composer: a solitary bass laid on its side in a spacious, dim recording studio, surrounded by open manuscript pages and scattered pencil sketches of chord voicings. The polished wooden floor reflects the instrument’s curved silhouette and the soft glow of overhead tungsten fixtures. In the background, out-of-focus racks of analogue gear and a large mixing console add depth. A single cool shaft of light from a high window cuts across the body of the bass, creating a dramatic diagonal. Shot from a low angle with a wide lens, the composition feels cinematic, intellectual, and slightly mysterious, perfect for sophisticated jazz album art without using any text or human figures.

Projects Overview

Discover my current bands, collaborative ensembles, and original compositions for stages, studios, and film.

Projects

From trio and quartet ensembles to solo explorations and commissioned works, each project highlights my role as bassist-composer, blending melodic clarity, rhythmic openness, and improvisation shaped by modern jazz, European lyricism, and groove.

A refined photographic headshot substitute: a meticulously arranged still life of a jazz bassist’s signature setup on a small backstage table. A high-end bass leaning against a charcoal-gray wall, a leather gig bag folded neatly, a worn manuscript notebook open to intricate notation, and a pair of over-ear studio headphones resting on top. The space is a quiet corner of a concert hall corridor, with dark acoustic panels and a barely visible doorway to the stage in the blurred background. Soft, overhead corridor lighting mixed with a faint spill of cool stage light creates layered highlights and long, subtle shadows. Captured at eye level with a shallow depth of field, the mood is introspective, professional, and deeply musical.
A sleek, dark-wood jazz bass resting upright on a minimalist stage, its rich sunburst finish and polished chrome hardware rendered in crisp photographic realism. The instrument stands center frame against a softly blurred backdrop of a high-end jazz club: deep navy curtains, subtle brass fixtures, and a grand piano suggested in the distance. Warm, golden hour stage lighting washes over the bass, creating elegant reflections along the curved body and long ebony fingerboard, with a single cool-blue backlight giving a refined rim glow. Shot at eye level with a shallow depth of field, the mood is sophisticated and contemplative, evoking anticipation before a performance while keeping the bass as the undisputed star.

Current Focus and Commissions

This space highlights the projects currently at the center of my work: new ensembles, recording sessions, commissions, and residencies. Reach out if you are interested in collaborating, commissioning music, or inviting these groups to perform.